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Grab Your Cupid’s Fall Box Set While It’s a Steal!

Cupid's Fall series box set cover with Cupid falling and each of the Cupid images from all four books

The complete Cupid’s Fall series is now available as an ebook box set at the insanely low introductory price of $9.99 USD!

Just one click gets you the complete box set:

  • First Quiver (#1)
  • Into the Quiet (#2)
  • Quite the Pair (#3)
  • The Quest for Psyche (#4)
  • Fixer Upper – the steamy age-gap romcom Ruthie (from book 2) secretly posted to the internet, a.k.a. “Henry the Handyman”
  • Thea’s Recipe Box – 6 of the recipes baked by Thea for Henry the handyman
  • Family Tree of the Greek gods
  • Cast of Divine Characters for the entire series

That’s over 1400 pages (and 340K words) of juicy romance all in one file!

Did I mention the crazy low price?

Yep, right now, but only for a SERIOUSLY LIMITED TIME, you can grab the entire four-book set PLUS bonus story Fixer Upper PLUS Thea’s Recipes PLUS the family tree of the Olympian gods PLUS the full series divine cast listing – that’s a $22 value – for the rock bottom price of just $9.99! That’s five books and some bonus material for the same price as just two ebooks!

Cupid's Fall box set equals all four books in the series plus bonus novella "Fixer Upper" for just $9.99

Why? Because I get it. I, too, love to deep dive into a new series (looking at you, Black Dagger Brotherhood and Sookie Stackhouse!). And it’s so much nicer to get everything all at once in one convenient package. No clicking from story to story. No more waiting at the edge of the cliff. No wondering which book comes next. It’s all there for you.

And because more than anything, I’d really love my stories to be read by as many readers as possible. So here you go, folks. I’m practically giving it away!

My Newest Adventure in Publishing

I’m proud to report I produced this box set all by myself. Okay, I had some help from a new publishing app called Atticus. Being an indie author means relying on myself as much as reasonably possible. Whatever I can’t (or choose not to) do myself, I have to hire an expert who’s not only a perfectionist but also available and affordable.

This model works extremely well in collaborating with my cover artist, editor, and blog tour hostess – all skills/connections I lack. But giving up so much control doesn’t usually bode well for someone fairly high on the control freak scale. It also leaves me with zero flexibility to make my own changes in the future.

Don’t hand me a fish; teach me how to catch that sucker myself!

Beyond the thrill of releasing my stories out into the wild, what I love most about self-publishing is learning new skills every single day. I’ve previously described some of these adventures such as collaborating with my cover artist and editor to translate what’s in my head into a finished product called a book. I’ve also shared my challenges with producing a book trailer, finding the “ideal reader,” and forays into TikTok.

Every single new tool I can figure out translates into a better experience for you, the reader. At least, that’s the hope.

What’s the big deal about making a box set anyway?

“Don’t you just put all the books together in one file?” If you’re asking, you’ve either never tried doing it yourself or you’re already a pro.

Prior to the rollout of Atticus, I had only one reasonable means of creating ebooks. That option was hiring out the epub production at roughly $130 a pop. I could then manage subsequent updates using an HTML-based program called Calibre.

Because I wanted professionally produced books, I paid that formatting fee for all four books and taught myself just enough HTML to be dangerous. With each new release, I updated all my ebook files (for “also by” sections, etc.) on retailer sites. I did just fine with that task, but–

There were some technical intricacies I never mastered. Photos and file sizes drive me batty! Some of the retail sites have quirky file requirements. The same file displays perfectly on one site and kaflooey on the next. And I don’t even know half of what I don’t know, and that can totally bite you in the butt.

True, I could have combined all five books’ chapters using Calibre. You could have read the stories, themselves, but that would not have been a satisfying reader experience. I want every reader to have the same, robust immersion as someone who’d read the professionally designed individual books. That meant incorporating the family tree of gods, the epigraphs and dedications and nice-looking fonts and other embellishments.

The knowledge I lacked made the idea of producing my own box set in Calibre completely outrageous.

Until Atticus.

Since Atticus is brand spanking new, the developers are still working out bugs. Not gonna lie, I had a few “moments” with this situation. But I trusted this company to stand behind their products with high quality customer service as they have with their other author tools. And they did.

And because I love the end product so much (and I’ve already put in so many hours learning to use the program), I can finally finish a project I’ve had on my wish list for four years now… More to come later this summer on that topic!

Get your Cupid’s Fall box set before the price goes up!

Because honestly, five books for the price of two REALLY IS too good to be true! It won’t last long – I PROMISE – because 343k words divided by $9.99 = 343 words PER PENNY! Just sayin’.

Ebook: $9.99 | EVERY E-BOOK OPTION ON THE PLANET | AMAZON KINDLE

*

P.S. – Did you know you can receive blog updates straight to your inbox? Yup! Just enter your email address in the box just below and hit “subscribe.” This is a no-spam zone! I post to my blog when I have a new adventure in writing or publishing to share.

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Pride Month: Never Take Our Freedom to Love For Granted

In celebration of Pride Month, two young men holding hands as they stand on a street striped with rainbow colored bands of paint

Pride Month is more than a celebration

The month of June will soon yield to July, and Pride Month will officially be over. But this is no time to lift our foot from the gas pedal. Pride Month is not just a celebration; it is also a painful reminder that basic human rights are still in peril today. And that will continue as long as other people are allowed to dictate the private lives of others.

One would hope that each passing day would bring progress toward securing personal freedoms – to have access to food, housing, and healthcare, to live with dignity, to love whomever we love, to express our gender identity however we wish, to retain control over our own bodies. Sadly, at this horrifying moment in American history, the exact opposite is true.

I stand with you during Pride Month and always

As an ally, I stand with you in supporting and celebrating the diverse and vibrant LGBTQ+ community.

I believe with all my heart that love is love in all its messy glory. I believe in a person’s legal right to marry whomever they love and enjoy the same rights afforded by law to heterosexual couples. I believe you should feel safe to hold hands or kiss in public without fear of judgment or harm.

My diverse characters

As a writer, I always do my very best to represent my characters as realistic, three-dimensional people, regardless of their gender identity or sexual orientation. Granted, this can get complicated when those characters happen to be gods!

Those of you who have read my Cupid’s Fall series are aware of the very special relationship between Pan and Cupid, which reaches a climax (ahem) in book 3, Quite the Pair. But there’s a mortal in the mix too, and I won’t spoil the story by sharing his story more than to say he had no idea he might love another man until a certain pair of gods fell into his life and turned it upside-down.

Don’t tell my other characters, but book three was my favorite to write. The unflinching love and affection Pan and Cupid feel for each other lives deep in my writer bones. Best friends to lovers was the most rewarding story arc to write – until, of course, Aphrodite and Ares stuck their divine noses in and messed it all up.

But hey, this is a #nospoilerzone, so let’s move on.

Remembrance and hope

With today being the anniversary of the 1969 Stonewall Riots, I wanted to share my personal tribute to the brave individuals who protested on behalf of equal rights for LGBT people.

Six years ago, I wrote the following poem for an anthology to raise money for the victims and survivors of the Orlando Pulse Nightclub massacre on June 12, 2016.

This poem captures a hypothetical moment of blissful wonder just before tragedy struck.

Please enjoy.


WE CAN DO THIS HERE

Collaborate, they said.
They made us a team, 
but we were nothing alike.
Brilliant spark (he); 
Careful kindling (me).
We took turns puffing breath
into this new idea.
Glowing embers
swallowed our oxygen,
leapt into flames.
Our creation lived and breathed.
With loud, angry pops,
our fire multiplied
in directions we could not control.
He stood too close to the burning logs,
unafraid.
His wild eyes flashed at me. 
Look what we started!
I longed to join him inside that fire,
wished so badly I could burn
without being consumed.
But the heat hurt my cheeks,
and I turned my face away
from our fire
and from him.
**
Our brains untangled from each other’s.
I could bear being near him.
We separated the work
into safe, parallel tracks.
Side by side
without intersecting,
without becoming closer
or more distant.
He was this fiery presence
pulling me
with exactly the same force
I pushed away.
Comforting.
Maddening.
Because I wanted more than I could take,
I wouldn’t watch the careless way
he brushed the blond bangs off his forehead
with the heel of his hand;
I wouldn’t inhale his spearmint and moss scent;
I wouldn’t feel his happy bursts of laughter,
popping in the air
like a million tiny balloons;
I wouldn’t wonder who caused his irises to deepen
from slate gray
to ocean blue;
I wouldn’t know his ease in the world
because I would weep with envy.
We fashioned a toothpick bridge
of small talk.
We Venn diagrammed the coworker fundamentals:
TV shows and presidential candidates
and sports teams and coffee preferences.
Cautiously, we became
(maybe?)
friends.
**
Come out with us.
They were kind.
They couldn’t tell I was different.
Who I wanted wouldn’t fit their mold,
might make them squirm.
Just one drink? TGIF!
True, Thank God It’s Friday.
A two-day reprieve from the constant
simmer of need.
I can’t, I begged off.
Never the inviter,
he watched for my answer.
Intent and hopeful at first,
his eyes grew dimmer
each week.
Maybe he told himself:
 Don’t take it personally.
(Or maybe he suspected exactly why he should.)
**
Wanna grab lunch? he asked
one random Tuesday
just before noon.
Out of the office? 
Together?
Alone?
My cheeks heated with the fire
I had not extinguished after all.
Thought we could hit the deli down the street.
C’mon, he said. 
It’s a beautiful day.
Sure, okay.
His smile lit up the whole office.
Yeah?
My heart stutter-stepped 
the first time his knuckles bumped mine
in the elevator.
By the third time,
I started to wonder
if he’d done it on purpose.
I’m sure I saw people and buildings and trees on the way.
Must’ve heard traffic and birds and voices.
But I recalled only everything about him: 
How hot he looked in his aviators,
how naked when he peeled them off.
The pink flash of tongue
catching the luckiest avocado sliver
ever to escape a roll-up.
How he listened
with his whole body slanted forward
like cursive writing leaning into the next letter.
How easy it was to enjoy his company
once I stopped fighting it.
Our short walk back was a silent, time-lapse movie,
a peach ripening on the tree
in rapid-fire clicks.
We barely fit in the revolving door
(him, me, and our fully-grown peach)
but pressed together,
we made it.
All afternoon, I stayed
in that tight, glass wedge with him,
crowding out any thought that threatened to intrude.
**
Come out with us.
Just one drink?
TGIF!
Behind her, he folded his arms
and studied me,
not dispassionately.
Three days since our lunch date.
(To call it any other name would be a lie.)
Three days of lingering glances,
shy smiles,
work not getting done.
We became brilliant inventors
of flimsy excuses to lay hands on each other—
a shoulder squeeze,
a tap on the arm,
a playful shove.
We cannot do this here.
Sure, I answered
I’ll come.
He bit the insides of his cheeks to hold back
his most heart-twisting smile,
but his eyes couldn’t be stopped.
We marched to the bar
and surrounded the tables.
Across from me but three down—
ideal for long-distance flirting,
safe from touching. 
Hyper-focused on his every move,
and he
(I think)
on mine.
My eyes tracked him to the men’s,
waited by the door,
marked every step of his return.
He caught me staring
and winked.
My groin answered with a tug.
We cannot do this here.
He wedged in across my table,
flashed his not-so-innocent grin.
So, what’s happening at this end of the table? 
I knew good and well
what was happening
to me.
Just didn’t have a clue
what to do about it.
They dropped like flies:
I’m beat
Gonna hit the road
It’s been a week
Tossed bills on the table,
made their exits.
Mostly, they left.
Staying sent a message.
I stayed.
(He didn’t.)
Been real, guys, he said,
peeling a twenty off his stack.
You giving me a ride
or what?
My head snapped up.
Uh, yeah, sure.
G’night, all.
I followed him
between tables and humans.
Arousal coiled in my belly.
Something needed to happen.
The cool, night air was a semicolon
separating familiar from unknown.
He led me into shadows,
grabbed my wrist,
tucked me against the building,
close to his body. 
I held my breath.
He looked at me without speaking,
his eyes filled with longing
and uncertainty.
Mine had to look the same.
We cannot do this here.
His thumb brushed across my knuckles;
I shivered.
The sweetest words tumbled
from his beautiful lips.
Do you have any idea
how much I want
to kiss you right now? 
God, yes, I answered,
shaking loose a deep sigh.
He chuckled softly.
I waited for my kiss.
His gaze swept around.
Not here, but . . .
(he leaned in) 
do you trust me?
Yes.
**
Corner of Maple and Washington, he said,
pulling me into the back seat.
He stole my hand into his lap,
forced all his fingers
between all of mine.
Quivery and weak,
I surrendered.
Night,
Anonymity,
Privacy.
It’s safe here.
Now we can kiss. 
A vein in his neck
pulsed with his very life
boom, boom, boom 
and I wanted my lips
right there.
Woozy from the closeness,
I dropped my head to his shoulder.
My nose inched toward his life beat
calling out to me
boom, boom, boom
and I pressed my lips
right there.
He squeezed my hand,
shrugged me off.
My lips fell away
from the delicate skin
at the base of his neck.
Hurt and confused,
I caught his frozen stare,
dead ahead,
into the rear-viewing disapproval.
We cannot do this here.
I nodded sadly.
I understood all too well.
He leaned back against the seat
and closed his eyes.
I set my breaths to the throb of his pulse point
boom, boom, boom
and promised myself
I’d kiss him there first.
Right there.
Sizzling, bright neon 
proclaimed our arrival.
He squeezed my hand
and smiled.
**
We slogged those final steps
through the wilderness of moral authorities and
binary boxes and
hate and
fear and
it’s-only-love-if-you-do-it-our-way.
The doors opened.
We entered the Promised Land.
Ready? he asked,
tightening his grip on my hand. 
Don’t let go?
(He nodded.)
We walked inside,
shoulder to shoulder.
My eyes adjusted to the light inside this new world
whose source was not our sun
or the flashing lights painting
wild designs on the dance floor.
This light was human.
We were creating it,
all of us,
together.
I recognized the brilliant flame.
This time,
I walked toward its warmth.
Instead of consuming me,
the fire nourished me.
With loud, exhilarating pops,
the fire multiplied
in directions I could not control.
Leaving no room for 
You’re less or 
God hates you or 
Your love is wrong.
You okay? he asked. 
The flames danced in his eyes 
as he watched me
embrace our fire.
I am so much better than okay.
I pivoted to face him,
pressed my cheek 
to his shoulder,
kissed him softly
on his heartbeat.
Thank you for bringing me here.
His smile drew my cheek up with his.
Now I was smiling, too.
I had to.
I really needed to kiss you.
I gasped when he cupped my chin.
God, yes, I thought,
as his soft mouth closed over mine.
We can do this here.
Dance with me, he said,
not waiting for my answer
(yes)
tugging me to the teeming dance floor.
His arms formed a circle,
closed over my head.
Felt so good to be held,
to touch him and be touched,
to move against his hips,
to want him and not hide.
We can do this here.
He spun me in his arms,
pulling my back
to his chest.
I moaned, but the music swallowed my sounds.
My head dropped back
against his shoulder. 
He nipped the soft shell of my ear,
pumped his hips into mine,
slipped his fingers under my shirt.
I hope you know . . . 
(He squeezed my nipples and I knew nothing at all.)
I really, 
         really
                  like you.
We can do this here.
*

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Critique is the most valuable prize of any writing contest

Critique example - Word document with suggested edits

It’s all about the critique!

I can’t seem to resist a microfiction contest! There’s something about the challenge of writing a whole story in just 100 words that really appeals to the storyteller in me. Then, throw in the 24-hour time limit and add 59 other writers to the group, and there’s a contest I cannot resist! But at the end of day, what draws me back each time is the very high quality critique from other writers and judges.

I’ve blogged previously about the thrill of participating in flash fiction contests. My favorite offerings come from the folks at NYC Midnight. The NYCM contests were so named because the participants receive the story prompts (a genre, an action, and a word that must be used in the story) on Friday at midnight (New York City time). We then have 24 or 48 hours to submit a story. While this operation started out as a screenwriting contest, they have now expanded into flash fiction (1000-word stories), short story (2500 words), and microfiction (100 words) – possibly my favorite.

Critique comes from three sources

Probably my favorite aspect of the NYCM contests is the writers’ forum. After submitting our stories, we are able to post them to a forum visible only to the other participants. It’s always fun to read what others in your group have created with the same prompts, and there’s a chance to offer critique to each other. As with the writing, the critiques vary in quality, but I have found some of my favorite critique partners through this process.

Which brings me to the biggest benefit – before I submit my contest piece, I’ve already vetted it with at least three peers. The contest folks not only condone this, they encourage it. Best of all, I can actually see how my stories get better and better with each round of edits.

Once stories are submitted, they are judged by professional editors hired by the hosting contest. Each story receives comments from 3 judges, including both what they liked about the story and what they believe could make the story better. The top 1/4 of each group of 60-ish writers moves forward to the next round. Typically, there are three rounds, though the 1000-word flash consists of two “heats” for round one, so your entry fee will buy you two different story critique opportunities.

Sharing my pre- and post-critique versions

I thought it might be fun to share my most recent 100-word microfiction – both the submitted version (which earned me a spot in round two) and the rewrite I produced (for practice) based on judges’ feedback. I welcome your feedback on either version. And while you’re here, feel free to give micro a try with my prompts:

Genre: SUSPENSE/THRILLER
Action: TURNING OFF AN OVEN 
Word to be used: “HIDE” 

Picture of man stuffing his face with pastries and looking very guilty

AS SUBMITTED:

LUCKIEST MAN ALIVE

On Richard O’Toole’s forty-third birthday, his wife made cupcakes for breakfast.

“Life is uncertain,” joked Lynette, turning off the oven.

“I don’t deserve you, Netta.”

“Don’t I know it.”

He scowled at the silly hat. “Must I?”

“Yes. Hand me your phone.”

Why?

“For your children, dear.”

“Fine.” He opened the camera to hide his text messages. “Here.”

“Make a wish!” Netta snapped his picture.

“No frosting for you?” He licked his fingers.

“Nope. You get double this year.”

“I’m the luckiest man alive.”

She slid Richard his phone. Brittney’s nude selfie stared up at him.

“Yeah, you really were.”


JUDGES’ FEEDBACK

WHAT THE JUDGES LIKED ABOUT YOUR STORY

  • This is a tight, tense story. Clever use of dialogue and actions tell a different story underneath the surface. Nicely done! 
  • The story opens with a sure-footed and entertaining narrative voice that will allow readers to comfortably settle in to listen to a skilled storyteller. Further, the story’s structure is excellently paced with succinct and vivid details selected; for example, how Richard scowls at the silly hat and later licks his fingers says volumes about him and does so in few words.
  • It’s quite compelling to read this dialogue-driven piece that captures the characters’ tone and additionally provides necessary information, such as when Netta says, “For your children, dear.” The plot development is engaging. 
  • OH boy. Busted in the act. And on his birthday, too. I think the story has a good narrative arc and I like how it is mainly told through dialogue.
  • The story is lively and holds my attention to the end.   

WHAT THE JUDGES FEEL NEEDS WORK

  • Did Netta do anything to the cupcakes? Did she know about Richard’s infidelity? Or did she just find out when she took his picture? Give us a little bit more to let us know. Just pare down a few words here and there to make room for a final reveal.
  • On the one hand, the final line is good and presents a clever dialogue line; on the other hand, this moment does not feel stunning or surprising. The shock occurs in the penultimate line. One potential revision approach might be to include an unexpected behavior in either character, but it alternately might impart an emotionally evocative reaction to Richard’s obviously being caught. One example for illustration purposes is, maybe he feels the remnants of the icing drying on his fingers, making the skin there tighten and crack, thus becoming a representative metaphor for the tight space he’s gotten himself into and the way he’s broken his life.
  • We get the idea that something is up about halfway through the story, but for a suspense story, I would get that out as close to the beginning as you can so that you can build up the tension of him getting caught throughout the story. Also, I want to get more of an idea if his wife knows or if she only discovers his affair when she gets the phone.

REWRITE AFTER CRITIQUE:

LUCKIEST MAN ALIVE

On Richard O’Toole’s forty-third birthday, his wife made cupcakes for breakfast.

“I don’t deserve you, Netta.”

“Oh, I know,” joked Lynette, turning off the oven.

He scowled at the silly hat. “Must I?”

“Yep. Your phone, please.”

Mine?

“Honestly! Hiding something?” She smirked.

“Yeah right.” He opened the camera to hide his text messages.

“Smile!” Netta snapped his picture.

“This frosting’s delicious!” Richard licked his fingers.

“New recipe. Like it?”

“Yes. Not having any?”

“Nope, all for you,” Netta said.

“I’m the luckiest man alive.”

“Yeah.” She turned Richard’s phone – and Brittney’s nude selfie – toward him. “You really were.”


What do you think?

Do you think the judges were right?

Is the second version an improvement?

What other critique would you offer me? I love learning! Remember though – I’m stuck with those prompts (at least for now!).

Thanks for reading and playing along!

*

P.S. – Did you know you can receive blog updates straight to your inbox? Yup! Just enter your email address in the box just below and hit “subscribe.” This is a no-spam zone!

(Not to be confused with my NEWSLETTER, which is all the current book stuff, sneak peeks, special deals, etc. And you can sign up for my newsletter by clicking on the big open heart at the bottom of this page.)